Walking around one of the wealthiest neighborhoods in San Francisco, I ogle the many mansions. They astound in more ways than one. I know I will never live in one, but this is a pastime I enjoy when I am feeling frivolous. I spot a few empty ones and laugh at one with celebrity cardboard cut outs in the window. From a distance, they do look real, but I dare say they would not deter an intruder.
I find a wide set of stairs and wander up to see where they lead. Around a short wall, a cow greets me, still, and of concrete. I admire her for a short while. There is nowhere to wander from here, so I return to the street. Tagged in the sidewalk, is TOFU. I picture a block of tofu wandering the streets at night looking for wet cement to scrawl into.
A tree has two elbows. Is it a professional contortionist when it is not standing watch over the sidewalk? A blue light beckons on an adjacent wall. To what or to whom does it signal or summon?
A rose adorned skull is painted on a bright yellow sign, marking the dead end. Orchids catch the afternoon light and their softness comforts me. They are much more unwithered than I.
An abandoned coffee cup makes me want to sit in a cafe and mindlessly whittle away the hours, but I don't. I won't. I see a mustache shape on the sidewalk and try to align it to the shadow of my face. It is all askew.
On a ramshackle stoop, a policeman is talking to a woman in a wheelchair. He grabs hold of a large painting of a tiger that festoons the steps. The tiger is wearing glittering accoutrements. He tugs and pulls until the tiger meets its demise. I wonder the reason for this altercation with the imaginary.
I find a wide set of stairs and wander up to see where they lead. Around a short wall, a cow greets me, still, and of concrete. I admire her for a short while. There is nowhere to wander from here, so I return to the street. Tagged in the sidewalk, is TOFU. I picture a block of tofu wandering the streets at night looking for wet cement to scrawl into.
A tree has two elbows. Is it a professional contortionist when it is not standing watch over the sidewalk? A blue light beckons on an adjacent wall. To what or to whom does it signal or summon?
A rose adorned skull is painted on a bright yellow sign, marking the dead end. Orchids catch the afternoon light and their softness comforts me. They are much more unwithered than I.
An abandoned coffee cup makes me want to sit in a cafe and mindlessly whittle away the hours, but I don't. I won't. I see a mustache shape on the sidewalk and try to align it to the shadow of my face. It is all askew.
On a ramshackle stoop, a policeman is talking to a woman in a wheelchair. He grabs hold of a large painting of a tiger that festoons the steps. The tiger is wearing glittering accoutrements. He tugs and pulls until the tiger meets its demise. I wonder the reason for this altercation with the imaginary.
