It doesn't always matter where I am if the sky is that mesmerizing hue that makes all things sing. It is not the deep grey blue of melancholia but a clean, bright blue I want to jump into and swim, diving deep, toes pointed, fingers outstretched. When I tire, it carries me, weightless, floating and serene.  

I visit an area of the city where I worked when I was in graduate school and was living in the Bay Area for the very first time. The shops are empty now, devoid of tourists. It is nice but also haunting. In regular times, I still come here to visit the birds that eat the seafood behind the facade of fanciful fisherman themed trinkets and sourdough bread. I also come to drop coins in the machines at the Musée Mécanique and to visit the sea lions. 

I want to venture to all my favorite places in San Francisco, but I don't; I won't. I hang mostly on the edges to be in but also out. I find myself looking in locations I have not looked before. The sense of discovery delights me. We are at the height of the pandemic and in lockdown again. I have not faltered in my cautious state, and this is my logging of time until we see the end. After the end, it will continue. 

I am walking around in an area that exudes incredible wealth. Even though my mouth is covered, it is agape, as I cannot fathom living in one of these grand houses. The funny thing is that I have lived in the Bay Area a long time, and I have never truly studied this neighborhood. It is largely residential so not one of my regular destinations. I have, however, frequented these types of neighborhoods for walks during the pandemic, and they tend to be quiet and calm. 

I stand in awe of one very modern house that looks like a New York gallery. I have my camera aimed at it as a gentleman walks to the car in the driveway. His uniform indicates he is an employee rather than a resident, and he looks at me uncomfortably. I try to casually ask if an art collector lives there. I am not sure why the words come out of my mouth and now feel like a stalker creep. I turn to walk away and spot a well endowed robot sculpture across the street. The absurdity of it in this rather buttoned up neighborhood makes me laugh. 

One house that I find particularly intriguing is adorned with a placard from the 1915 Panama Pacific International Exposition. Many of the tourist destinations of San Francisco are from that time. I wonder what purpose this mansion served and daydream about the sights and sounds of that era. I come back to earth, with one toe stuck in the past. 

I walk a toward the fishing pier to a road I previously thought was a dead end. At a certain point there is a security guard and a sign for authorized vehicles only. This is the road for the workers that maintain the bridge. I notice a bike path and ask if I may walk here. I get an ok from the guard and head up the hill. 

I am pretty much alone for most of my walk, and I admire the bridge from underneath. It reminds me of the erector set my brother had when we were kids. All the parts seem purposeful but also precarious. It is an impressive structure and feels otherworldly from this perspective. 

The hills are dry and exude a certain scent, hot brush that waits for rainy season. Is it the end of summer headed into fall or fall headed into winter? I have lost track, and seasons vary only slightly in these parts.  

I stop before the hill meets the top of the bridge and the cars roll by. I'm enjoying the landscape below, this flipped perspective. It is unusually quiet here. The city sits in the distance waving hello. I miss freely walking on its city streets, ducking into art museums, galleries and local coffee shops. I miss the spontaneous encounters with strangers and friends. I miss losing time because I am actively filling it, not for all the reasons that burden us now. 

I climb a set of narrow stairs to get  to the peak. From here I can see the city from above. If I zoom into each area, there is a memory of past steps, rolling around on two wheels, aiming different cameras at what strikes me. 

Colors are different here in California, more vibrant, and at times almost electric. I remember the first time I wielded a camera in this place and how elated I was at the vibrancy of the images I collected. In my home state, everything looks as if it has a dull brownish filter. On the east coast it is a slight hint of grey, the remnants of a winter sky. Here, cool blues mash up against golden light. All images can be doctored to have the same appearance, but standing here and now, my eyes don't lie. 

This day I feel anxious. Is it the height at which I stand? Is it the pandemic woes? Is it nothing at all? I am not sure. Beauty overtakes my bewilderment, and I am present in this place. I am happy to be here now in spite of all that is troubling in the world. Comfort is found in the the bluest of blue, eschewing meandering melancholia.