I take the ferry to the city and find the perfect spot outside. The water splashes and spits, but I stay dry. We pass two prisons, one in use and one not. Sometimes there are prisoners out in the yard, waving at the commuters on the water. Today the yard is empty. 

Once on land, I find some sustenance then make my way to the street. I juggle an empanada and a camera, fulfilling my hunger for both lunch and art making. Once in front of the Ferry Building, I see a street preacher. His voice is sing song and his dress is dapper. I start to listen, then not. 

The area around the Muni tracks is a mash up of encampments, skaters, bicycle messengers and tourists. I suppose I most qualify as a tourist, although I have passed through hundreds of times on bicycle and on foot. I come to look, to be present but unobtrusive. 

I make my way through the financial district, past my old office. Many businesses are empty now, void of the usual hustle and bustle of a vibrant city. The vibrancy has returned up the hill in Chinatown. The park is more full of people playing games and enjoying each others company. I am drawn to a woman who is surrounded by pigeons. She shares her food with them and they seem at peace in her presence. 

The fruit and vegetable shops are thriving, at least compared to when I was last here. I walk around a bit and then stop to get a vibrant colored, taro slush. It hits the spot. I walk into North Beach and stand in the park's well watered grass, drinking my periwinkle colored beverage. A dog in a canine sized hoodie, runs around chasing a ball. 

I decide to ignore good sense, and I venture down to Fisherman's Wharf. Many of the restaurants that cater to tourists are empty and boarded up. The street is lacking of performers and the energy is stilted. Every street vendor seems to be selling the same uninspired plastic souvenirs. Every now and then a person dances, or carries sugary things on a stick. 

When it is time to return to the ferry, I choose to walk in the bike lane to avoid the other humans. In pre-pandemic times this would not be possible. I would have gotten clobbered by a sea of bicycles. Today only two electric scooters need the lane. 

Back on the ferry, I find my spot outside again, but eventually decide to stand. I ride the ebb and flow of the waves, maintaining my stance but leaning into whatever direction the boat decides to rock.  

Out in the avenues, the ocean calls, again and again. I return to revel in the sand and sunshine. Some days, this is everything and enough. 

Over in the east bay, I weave my way into and out of shops, slowly bringing back some of the daily life from before. It is not so much about the purchase of things, but more about human interaction and the freedom of happenstance. Everyone appears to be walking around filled with a bit of weariness, but with an equal sense of renewed hope. After a spirited conversation with an eager fat cat and a peanut eating crow, I enter an antique store to buy vintage photos from a shop keeper with a French accent. I pretend I am on a trip that couldn't be taken. 

Underneath the Bart tracks, I see tiny lines flitting about in the breeze. As the wind blows, the lines bend and dance, appearing almost metallic. I crane my neck to watch, and it is beautiful. These pine needles, caught in a metal grate, have created an effortless work of art. 

At the end of a busy street, a repurposed bank contains a night deposit box. I imagine it being the place where daydreams safely go to sleep. At the rising of the sun, a key is turned and the daydreams are released, only to be captured again by wanderers like me. 

Slowly of the world again, I venture into San Francisco's Chinatown and North Beach. The air is misty from fog and has that chill that happens when June is soon to arrive. There is a lightness in my step that has been lacking these past many months. I let strangers get closer, and I say a hearty hello to many. 

Many Chinatown businesses are still closed but the groceries and fish markets are a flurry of activity. This is really good to see. I meander down to a parallel street with the tourist shops, and more doors are shut. I watch as a shopkeeper removes the wood from his long shuttered shop, ready to be open once more. A smattering of wide eyed sightseers flit about seeking direction. 

Venturing up the stairs into the park, hearing a nearby boisterous cough sends me back to the sidewalk. Taking the next available stairwell, I expect to see the type of activity I always see here, but it is quiet. One group of men play cards, and there are scattered individuals resting on benches. It is missing the music, the laughter, performance, food, exercising elders, wandering visitors and general bustle of the days before. A bench sitter, bedraggled and toothless, calls out for my attention. He is cheerful and wants me to turn around. I don't mind his eagerness and give him a friendly nod. 

The bookstore that is a landmark of North Beach is not yet open, so I peer longingly through the window. Whenever I stand there, I think of the time a friend from New York asked me to hide his poem somewhere inside. I put it in the wall near where poems are read, to be found by someone, sometime, eventually. Its words were written, read and will wait, like most art, to be (re)discovered and celebrated. 

Returning to my two hour parking spot, I remove my mask and look in the mirror. The mascara I put on earlier, to look more alive, is now smudged well below my eyes. I look ridiculous and drive home laughing while looking like a sad clown. 

The fog tries to mask the blue sky, but the sky shines through. I'm dressed for summer, but summer in San Francisco is like early spring elsewhere. And, it is not summer yet. I decide to enjoy the crisp air rather than be cold. 

I tell myself that I am so grateful to be here. Of all the places I could be, this is where I chose; this place makes me glad. Although I rest my head a bit north of here, this city has drawn me in for a very long time. The hardships it brings are rewarded in the diversity of the landscape, the wildlife as well as the people. 

The pandemic has weighed on me. Like many, my time has been my own - and yet not. I am less than a week away from being fully vaccinated and past the wait time. I look forward to having a semblance of a normal life after being the utmost of careful. Although I greatly value the time I have spent taking these photos, I miss people and real interactions. My outings have been like an extended game of dodgeball, quick weaving and wandering. 

My primary form of expression the past several years has been painting. If anything, this past year, I have gained a renewed love of photography. My walks with my camera allow me to enjoy my external world rather than retreating into the internal. My eyes are constantly searching, my mind cataloging my surroundings. A narrative unfolds but it has its own buoyancy, follows its own direction in spite of any baggage I might bring. It is freeing, always rewarding and keeps me completely present.  

Barriers surround a sinkhole in the middle of the street. Workers scurry about, taking care that it gets resolved. I inquire if this has occurred naturally, and am told yes. I stare at it wondering if the world might be turning inside out. Is this the portal to an alternate universe? I am tempted, but decide not to try to find out. 

Green Xs mark the sidewalk for a good block. I (wrongly) assume, green marks are intended to indicate location of communication lines. Is this where we will receive messages from the alternate universe below the sinkhole? A dump truck pleads with me to be quiet, as if I was telling secrets I promised not to tell. In my imaginary conversation with an inanimate object, I say, "Relax man, I was just adding some apocalypse to my pandemic pretending." 

Bees swarm, forming a large mass between two trees, bringing me back to reality. I get as close as I can without getting stung. This is fascinating and a bit dangerous, but they seem more interested in swarming than the human passerby. 

I stroll along the hilltops in a neighborhood I have never explored before. It is peaceful with distant sounds of urban activity below. From this perspective, the city seems new again. Sutro Tower stands tall in the distance. As the fog envelopes it, it becomes a ship, floating into the vastness of the blue beyond. 

On the edge of an island where the Navy once made base, San Francisco calls out in the distance.

Spring pretends to be summer, while I pretend to be carefree. Happiness is a wave that before it peaks is glorious. Once it curls overhead, it is exhilarating. Then one can be found underneath, kicking to swim back up again. The trick is to kick hard and fast enough, to not take in too much water, to rise again, laughing. 

A masked face breathes hard and sweat drips. If anything, the last year has left us all with either a high tolerance for discomfort and chaos, or with an extreme lack of patience and ill will. The boundaries created have allowed us to redefine or reestablish what is true and what is full of falsehoods. 

As I walk, I spot a woman down low, arranging trinkets around a tree. I know this to be a 'gnome home' or 'fairy garden'. I shout out to her, "I will pretend to not see you, because I know I am supposed to believe the gnomes built that". She laughed and made a joke about not really being there. I could almost see her fade away. 

I float away on my own daydreams, enveloped by the waves that carry me forward. No matter how deep I might venture, I always swim back up to blue. 

On the wall is a photo mural by the artist, Michael Jang. I dance from street to sidewalk to accommodate passersby. I admire the images and the subtle touches the artist added after the rains washed away some detail. Having not stepped into a gallery or museum since this pandemic started, I am so delighted to be here enjoying these wonderful photographs. They celebrate the artist's extended family, and for me, celebrate the diversity and uniqueness of the city I love. 

Walking into Golden Gate Park, a ferris wheel reaches for the sky. I immediately put this into my post vaccine agenda. I love Ferris wheels, and they are my go to ride at any fair or amusement park. The change in perspective is freeing, and all else falls away. In this state, I am gleeful, a bird on a circle in the sky.  

As we get closer to an exit from this alternate reality that we failed to plan for, I have found my salve. The simple act of walking, wandering and noticing is enough to flip a switch in my busy brain. As long as I am able bodied and own a camera, it will continue. When social distancing is no longer critical, I may still find myself quietly reflecting on things seemingly unsubstantial, but still splendid. On the inhale, the camera clicks, creating the image that lives forever in the exhale. 

Walking around one of the wealthiest neighborhoods in San Francisco, I ogle the many mansions. They astound in more ways than one. I know I will never live in one, but this is a pastime I enjoy when I am feeling frivolous. I spot a few empty ones and laugh at one with celebrity cardboard cut outs in the window. From a distance, they do look real, but I dare say they would not deter an intruder. 

I find a wide set of stairs and wander up to see where they lead. Around a short wall, a cow greets me, still, and of concrete. I admire her for a short while. There is nowhere to wander from here, so I return to the street. Tagged in the sidewalk, is TOFU. I picture a block of tofu wandering the streets at night looking for wet cement to scrawl into. 

A tree has two elbows. Is it a professional contortionist when it is not standing watch over the sidewalk? A blue light beckons on an adjacent wall. To what or to whom does it signal or summon? 

A rose adorned skull is painted on a bright yellow sign, marking the dead end. Orchids catch the afternoon light and their softness comforts me. They are much more unwithered than I. 

An abandoned coffee cup makes me want to sit in a cafe and mindlessly whittle away the hours, but I don't. I won't. I see a mustache shape on the sidewalk and try to align it to the shadow of my face. It is all askew. 

On a ramshackle stoop, a policeman is talking to a woman in a wheelchair. He grabs hold of a large painting of a tiger that festoons the steps. The tiger is wearing glittering accoutrements. He tugs and pulls until the tiger meets its demise. I wonder the reason for this altercation with the imaginary.